We met the maker of Irish instruments Eugene Lambe at his workshop in Kinvara, County Galway, and got to ask him about his work and passions.
"The uilleann pipes (Irish Pipes) are a relatively recent instrument and reached their present form in the closing years of the 18th century. They are unique in that they can play two complete octaves, they can play legato or staccato by using a popping strap to close the chanter and they also have a bank of regulators which can provide a simple chordal accompaniment to the melody. Other pipes like the Northumbrian pipes and Scottish Lowland pipes are also bellows blown but musically they are much more limited."
Eugene Lambe using the lathe at his workshop in Kinvara, County Galway.
“The traditional view says 21 years, 7 years listening, 7 years practising and then 7 years playing but nowadays people can become quite proficient in a very short time. After the death of Leo Rowsome in 1970 the craft of Uilleann Pipemaking had almost died out but luckily there were some of us who had begun to pick up the skills. In the late 60’s and early 70’s with the increase in interest in Uilleann pipes new makers appeared on the scene and the quality of pipes and reedmaking has improved enormously since then.
“I did. Both myself and Caroline brought our instruments. Depending on where we stopped we might earn a little bit of money busking. In Bergen in Norway, for example, I could sometimes make 100 Euros in 20 minutes! In some places, people came around in droves admiring the pipes, but in other places where they have their own traditional instruments, they didn’t as much.”
Kinvara, County Galway, where Eugene Lambe has his workshop.
“The pipes are not made to play a fully chromatic scale, really. It would be very awkward. They are made for traditional Irish music. The commonest pipes are in ‘concert pitch’ and these can play in the keys of D and G. Keys are for playing accidental notes and aren’t used very often.”
Tools at the Irish instruments makers workshop.
“As a maker of Irish instruments, I am all about functionality. I want to build something that works all around. Something that tunes easily and continues to perform well over a long time. Some customers like leather bags for appearances but leather is animal skin, and animal skin has pores in it, which is the opposite of what you want when making bags meant to hold air. I prefer to use rubber bags. Rubber bags perform best.Another reason I suppose people come to me is the aftercare service. There is a lot of aftercare in instruments, especially in the first few years. People want to know they can rely on you for that. At the moment I am fixing up a flute for someone, one that I built myself in 1967.”
"Well, I am taking it a bit easier now than I used to with the instrument making. I have a young daughter, Roisin, and I want to spend time with my family. But apart from that, I want to experiment...to research with the instruments. I want to see can I improve them, both for sound and functionality."
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